Art & Visual Culture 1850-2010 Modernity to Globalization by Steve Edwards PDF

By Steve Edwards

The essays during this quantity interact without delay with topical concerns round artwork and gender, globalization, cultural distinction, and curating, in addition to explorations of key artists and hobbies and a few much less well-documented paintings through modern artists.

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Then he proceeded to draw the general lesson from these observations about particular artists and their work: It was the stressing, however, of the ineluctable flatness of the support that remained the most fundamental in the processes by which pictorial art criticised and defined itself under Modernism. 2 The difference is remarkable. My first inclination, looking at the illustration of Olympia, was to pick out the depicted subject matter of the painting – naked girl, black maid, flowers, cat, bed – and only secondarily to notice the masses of light and dark and the relatively indistinct space in which those pictorial illusions are constructed.

Artists who rejected academic values, or at least wanted to do something different, came to value those types of art that had previously seemed minor, such as landscape and genre pictures; spontaneous impressions replaced studied composition; handling became looser in painting and finish rougher in sculpture; and originality was attributed a higher importance than adherence to fixed rules. Architects explored the use of new materials and structural possibilities and rejected the obsession with historical-revivalist styles.

1899–1900, gelatin silver print on paper, 22 × 17 cm. Museum of Modern Art, New York. Abbott-Levy Collection. Partial gift of Shirley C. 889. Photo: © 2012 The Museum of Modern Art/Scala, Florence. Before the Second World War, the alternative centres of modernism were also key sites of uneven and combined development: Berlin, Budapest, Milan, Moscow and Prague. In these places, large-scale industry was created by traditional elites in order to develop the production capacities required to compete militarily with Britain.

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Art & Visual Culture 1850-2010 Modernity to Globalization by Steve Edwards


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