By Rene Huyghe, Yes
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Extra info for Art and Mankind: Larousse Encyclopedia of Modern Art: From 1800 to the Present Day
Without David the Rome The the pivots of history. around Pompeo Batoni, of the 1780s would not be one of httle cUque that gathered there Raphael Mengs, and Tischbcin Angelica Kauffmann would be quite forgotten. True, Gavin Hamilton, who was also a great connoisseur had painted an Andromache weeping over in 1765, 54 figures; 48 vases, Body of Hector back and David later remembered the gesture of one of his true, Benjamin West had produced an Orestes and Pylades as early as 1756. 53 the of Etruscan more than But who would remember them any André Vincent's President Mole attacked by Frondists (1779), if the Roman miUeu were not being studied today because of David and his Oath of the Horatii (1785)?
If we were describing the development of the arts in Europe during the 18th century, it would be evolved. necessary to give full coverage to the different Petit Trianon. As It a matter was of in relation to the private individual fact, it was in the field of the of decoration that a movements on the boil. England the Pompeian trend directed by Robert Adam, boudoir art, had results The Pompadour for it stresses a of which style is not just a licentious merging of the different classes that we are not unaware.
Schloss Neuschwanstein, Bavaria. GERMANY. DOLLMANN Built for for Ludwig II from 1869. Ludwig I of Bavaria this partiality for the creations of Munich; but the poetry of the D. Ohlmiiller built in the castles that J. — Hohenschwangau among others — Gothic themes and forms Georg Moller and K. A. von also animates Heideloff. Ger- many's archaeologising architecture remained attached to the ' ' copying of the Romanesque, Gothic or Renaissance, and even to an eclecticism that produced hybrid styles, as in F.
Art and Mankind: Larousse Encyclopedia of Modern Art: From 1800 to the Present Day by Rene Huyghe, Yes