Yannis Hamilakis's Archaeology and the Senses: Human Experience, Memory, and PDF

By Yannis Hamilakis

ISBN-10: 0521837286

ISBN-13: 9780521837286

This booklet is a thrilling new examine how archaeology has handled the physically senses and provides a controversy for the way the self-discipline can provide a richer glimpse into the human sensory event. Yannis Hamilakis indicates how, regardless of its intensely actual engagement with the cloth lines of the previous, archaeology has normally missed multi-sensory event, as a substitute prioritizing remoted imaginative and prescient and hoping on the Western hierarchy of the 5 senses. instead of this restricted view of expertise, Hamilakis proposes a sensorial archaeology which may unearth the misplaced, suppressed, and forgotten sensory and affective modalities of people. utilizing Bronze Age Crete as a case research, Hamilakis exhibits how sensorial reminiscence might help us reconsider questions starting from the creation of ancestral history to large-scale social swap, and the cultural value of monuments. Tracing the emergence of palaces in Bronze Age Crete as a party of the long term, sensuous historical past and reminiscence in their localities, Hamilakis issues how to reconstituting archaeology as a sensorial and affective multi-temporal perform. while, he proposes a brand new framework at the interplay among physically senses, issues, and environments, in an effort to be proper to students in different fields.

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Extra resources for Archaeology and the Senses: Human Experience, Memory, and Affect

Example text

It is from the travelogue of Edward Clarke, the scholar and antiquarian who, at the beginning of the nineteenth century, was wandering Greece looking for antiquities. In 1801, he arrived in Eleusis which was long associated with the ancient cult of Demeter but also with a desirable commodity – the statue known since at least the seventeenth century as the ‘Ceres of Eleusis’: Arriving upon the site of the city of ELEUSIS, we found the plain to be covered with its Ruins. The first thing we noticed was 35 36 ARCHAEOLOGY AND THE SENSES an Aqueduct, part of which is entire .

This is true but only partly. For example, Platonic thought (as well as other philosophical thinking of that time, such as that of Empedocles and Alcmaeon) attributed a sense of extra-mission to the eye: it emitted rays of light (Plato) or ‘fire’ (Empedocles), and this light coalesced with the outside light (cf. Bartsch 2000: 79; Jütte 2005: 39). For Plato, the eyes were the most ‘sun-like’ organs (cf. Rutherford 2004: 74). This is a very different sense of vision from the one that was established by modernist thinking.

It was a middlebrow art (Bourdieu 1996) which could be afforded by the middle classes, and it linked the primarily visually perceived site (the tourist attraction, the natural beauty spot, the archaeological site) with the increasingly autonomous sight – a sight that, whilst lodged on the human body, had become largely divorced from other sensory modalities such as touch, and from synaesthesia (different senses working in unison) and kinaesthesia (the multi-sensory experience of the moving body).

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Archaeology and the Senses: Human Experience, Memory, and Affect by Yannis Hamilakis


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