By Alan Moore
What terrifying strength lives within the middle of your tv? Hugo Award-winning writer Alan Moore (WATCHMEN) introduces us to an entity created on the sunrise of tv, an artificial deity made extra robust each evening we worship earlier than the altar of the boob tube.
Maureen Cooper isn't actual. She is an apparition summoned to monitors, into houses, into the hearts and brain of the viewing viewers via Carol Livesly. yet Carol Livesly isn't the god that creates the illusions that seize the brain and bind the soul. She is barely a servant of a better strength. a better, hungry strength, as previous because the international and perpetually new. As, probably, are all of us. Alan Moore, grasp and magician of storytelling, tears again the veil of 1 of the main arcane of enchantments —- The Magic of tv! half grimoire, half grim invocation of items which are all too traditional, mild OF THY COUNTENANCE is an unique and breathtaking tale by means of Alan Moore, tailored to picture novella layout by means of Antony Johnston, holding each be aware.
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Extra info for Alan Moore's Light Of Thy Countenance
I loved it at ﬁrst. Before I went to Pratt, I’d gone to school 26 with the same eighty-ﬁve kids from ﬁrst grade until the end of high school, and you can’t really reinvent yourself in a situation like that. People would show up in ninth grade with a new look and everybody told them they were pathetic. I always felt that I wasn’t what I appeared to be when I was growing up, and I wanted a chance to be the guy I imagined myself to be. As to who that guy was, I was deﬁnitely into the punk thing—I had the perfect look for it, too.
Indd 36 12/11/2011 08:37 wood, but after ﬁnishing the ﬁrst six pages I felt so much like I was trying to do the Great Graphic Novel—which I kind of was—that I just hated myself for doing it. So I stopped. Lots of people are trying to do Great Graphic Novels right now, and I hate them all. I’m just really disgusted by them. Chris Ware isn’t trying to do great graphic novels—for some reason he’s just able to do them, and if you really immerse yourself in his work it’s incredibly rich. Joe Sacco is amazing, too—he’s sort of in a class by himself.
As to who that guy was, I was deﬁnitely into the punk thing—I had the perfect look for it, too. I weighed around a hundred and twenty pounds and was six feet tall, so I was truly like a stick. Despite the way I looked, I wasn’t doing drugs or drinking, though. I never went through a drug phase because I saw that whole world ﬁrsthand when I was growing up. I did get into drinking, though, during a period when I was taking my portfolio around New York trying to get work. I’d get home by eleven in the morning and have nothing to do for the rest of the day but wait for somebody to call.
Alan Moore's Light Of Thy Countenance by Alan Moore